The Academy of Motion Picture Arts and Sciences has just released a crucial announcement regarding the films that are eligible to compete in the upcoming prestigious event. For those of you who are fans of animation and Asian cinema, special attention must be paid to the list of 7 anime qualifying for the 2026 Oscars which are now dominated by big titles.
This phenomenon is not just a number, but a strong indication that the Japanese animation industry has transformed into a powerhouse. pop culture which can no longer be underestimated by western film critics.
List of Anime Movies Competing at the Oscars 2026
This year's competition presents a very interesting dynamic. From a total of 35 longlisted global animated film titles (longlist), seven of whom are strong representatives from Japan.
If you look at the pattern of previous years, the Oscars have often been the arena for conventional family films or independent artistic works. However, this time we see franchise giants alongside the work of visionary directors.

Here are 7 anime titles that have been confirmed eligible (eligible) after being submitted by distributors to fight for a place in the final nominations:
- Demon Slayer: Kimetsu no Yaiba Infinity Castle (Directed by Haruo Sotozaki, studio ufotable).
- Chainsaw Man - The Movie: Reze Arc (Director Tatsuya Yoshihara, studio MAPPA).
- Scarlet (Director Mamoru Hosoda, Studio Chizu).
- ChaO (Dir. Yasuhiro Aoki, Studio 4°C).
- COLORFUL STAGE! The Movie: A Miku Who Can't Sing (Directed by Hiroyuki Hata, studio P.A. Works).
- Dragon Heart - Adventures Beyond This World (Director Isamu Imakake, HS Pictures Studio).
- 100 Meters (Directed by Kenji Iwaisawa, ROCK'N ROLL MOUNTAIN studio).
Attendance Demon Slayer and Chainsaw Man on this list is very significant. These two titles represent the shonen which is loud, action-packed, and has a militant global fan base. This is in contrast to the Scarlet Mamoru Hosoda's works are usually more emotional and close to the tastes of international film festival juries.
Shifting Anime Trends in Global Competition
Looking at the list above, you can sense an evolution in the way the Japanese film industry is targeting the American awards market. Keep in mind that in order to make it to this stage, films must be actively submitted (submitted) by the studio or distributor. The large number of titles entered this year shows the high confidence of anime copyright holders.
The courage of studios like MAPPA and ufotable to submit their movies is most likely driven by massive commercial success. Demon Slayer, for example, has proven itself to be a global phenomenon with its movie theater ticket sales figures and merchandise fantastic worldwide. These statistics are vital ammunition for distributors to convince Academy judges that their works have significant cultural relevance beyond mere animated entertainment. They no longer rely solely on the domestic Japanese market, but aggressively pursue global prestige recognition.
The narrative built in 2026 feels different thanks to the momentum of previous years. Victory The Boy and the Heron by Hayao Miyazaki at the 96th Academy Awards (2024) was a vital turning point. Plus, the victory of Godzilla Minus One for the Best Visual Effects category in the same year further confirmed that the technical quality of Japanese cinema has been fully recognized by Hollywood.
This year's influx of various anime genres proves that distributors see the Academy's opportunities opening up to a wider variety of stories, not just sticking to “safe” fantasy dramas.
Qualification Requirements and Challenges to Nomination
It is important for you to understand that the status of eligible This is just the first step. In order to fully qualify, each film submitted must pass through the Academy's strict technical bureaucracy. The main requirement is that the film must run in commercial theaters for at least one week in one of the six major metropolitan areas of the United States. This screening period must be completed before December 31.
If all 35 films in this longlist manage to fulfill the requirements, the competition will narrow down to just five final nomination slots. The important schedule that you need to take note of is the announcement of shortlist for certain categories on December 16, followed by the official nomination announcement on January 22, 2026.
To top it off, the 98th Academy Awards night will be held on March 15, 2026, just as Winter transitions to Spring.
Anime Opportunities Amidst the Onslaught of World Animation
In addition to the animation category, Japan also sent its representative for the International Feature category through the film Kokuho.
This year's competition has also been intensified by the presence of animated works from other Asian countries, such as Lost in Starlight (Netflix's first Korean animated movie) and KPop Demon Hunters from Sony Pictures Animation.
This situation creates a very dynamic competitive map. Anime has to compete not only with Hollywood animation giants like Disney or Pixar, but also with a global wave of animation whose quality is constantly improving.
However, with ufotable's track record of stunning visuals that have always set new standards in digital animation, as well as unique narratives from independent creators like Kenji Iwaisawa, the chances of anime dominating the Oscars conversation once again are very real. We are witnessing an era where anime is no longer just an invited guest, but a major player in the global movie industry.
Sources: Variety (J. Kim Murphy), Deadline (Pete Hammond) via Anime News Network































